Website for “Voices from the Rwanda Tribunal” Project

Designing user experience for a politically sensitive project

VOICES FROM THE RWANDA TRIBUNAL

49 video interviews with the personnel of ICTR

In the aftermath of the 1994 genocide in Rwanda, the United Nations established the International Criminal Tribunal for Rwanda (ICTR), one of the first ad hoc international criminal tribunals. The Voices from the Rwanda Tribunal collection contains 49 video interviews with personnel from the ICTR.

Collected in 2008, these interviews reveal the challenges of striving for justice and reconciliation after genocide. In their own voices, tribunal personnel speak to Rwandans, the international justice community, and the global public, now, 50 and 100 years from now. This digital collection is available to all people to watch, tag, curate, and download for their use in future projects.

Homepage

BACKGROUND

Multi-lifespan Information System Design and Transitional Justice

Multi-lifespan information and computer systems have a critical role to play in the processes and outcomes of transitional justice systems, potentially making them more accessible and comprehensible to the people who confront injustice, now and well into the future. Yet how to design such systems and what design processes to employ remain open questions. In this research we take up these and other challenges in the context of the Voices from the Rwanda Tribunal project. We describe our design approach, including a set of nine key guiding design principles, nine design challenges and our experience putting these guiding design principles into practice.

DESIGN PROCESS

Principles

Redesigning the website of the project was a big challenge because of its restrictions due to circumstances and principles. User experience design was a different experience for me since I had to keep up with these values:

Access / Accuracy / Credibility / Impartiality / Legitimacy / Multi-lifespan / Respect / Safety / Transparency

Challenges

Negotiating Independence

The contested history and context surrounding the Rwandan genocide:

Including the involvement, actions, and lack of actions of actors including the United Nations and persons now in powerful positions in the Rwandan government.

The need to establish perceived and actual independence from the ICTR, the UN, and the Government of Rwanda:

The project policy was established not to solicit or take funds from any of those entities. We also established the project policy that none of these entities could directly specify who from the ICTR would participate in an interview, dictate the content of interview (or ban particular topics), or review or otherwise censor content.

Response:

Clarifying independence by carefully studying other projects around Rwandan Genocide and separating the design lines from them both in form and content.

Principles: Access, Accuracy, Credibility, and Respect

Unpacking Language

Multiple languages used in and around the Voices from the Rwanda Tribunal collection:

English, French, and Kinyarwanda.

“Release now in the languages of the interviews” or “release later once all the interviews had been translated into Kinyarwanda”: Spoke with numerous groups and individuals across many sectors of Rwandan society to garner their views on what should be done. Virtually all were in agreement: release now. Many expressed the sentiment that Westerners often came and took things from Rwanda but did not give back; releasing the interviews quickly would provide them to Rwanda.

Response:

Preparing the platform for trackable transcripts, as they are added little by little.

Principles: Credibility, Impartiality, and Legitimacy

3-Transcrips

Speaking Safely

Genocide Ideology Law: Contravention of the 2008 law is punishable by up to 25 years in prison. A climate with heavy restrictions and strong punitive consequences for unfettered speech concerning the genocide.

If in the current climate and with such content a discussion forum is not feasible at a given point in time, what other forms of speech (if any) might be possible?

Response:

Online public curation tools: Online visitors can “speak,” albeit in a limited way, by making selected content from the interviews more visible to others, so that those selected segments are more likely to be “heard” by others.

“Tag”, “Clip”, “Download” and “Exhibit” tools were developed for users to express their ideas anonymously or share their interpretation of the videos to others freely, without being tracked.

Principles: Credibility, and Safety

4-Clipping

Whose Words Define the Collection?

Diverse perspectives: Different communities may construct different meanings based on interest, culture, and context (e.g., Rwandans, international justice community); different individuals may do so based on different life experience (e.g., perpetrators, survivors, those born after the genocide); and the same person might even see multiple messages within a single interview segment.

Response:

Online public tagging tool: Online visitors can tag and characterize video segments with the option to provide information describing themselves (e.g., as Rwandan, African or Non-African). This is a prevention of being defined by meta-data provided by big search engines.

Principles: Legitimacy, Respect, Safety, and Transparency

Tagging-video

Widespread Access

This collection has a wide range of audience and many of them have difficulties to access the Internet or at least a high-speed connection. Furthermore we were unaware of the level of digital literacy for many of the stakeholders.

Response:

Download links for content in different formats (audio and video)

Keeping the design light with the least JS for the content to load in slow Internet connections

Keeping the design very basic for users with lower digital literacy

Responsive design for different devices

Principles: Multi-lifespan, Access

Designing for Whom?

/ Multi-lifespan

Credibility and Security

/ Access, Credibility, Multi-lifespan

Emotional Wellbeing

/ Respect, Safety, Transparency

Redaction, Sealing, and Censorship

/ Redaction, Sealing, and Censorship

Team:
Batya Friedman
Daisy Yoo
Trond Nielson
Katie Derthick
Date:
Winter 2014